SambaFélixNDiayewasbornonthe6thofMarch1945inDakar.Asanadolescenthedevelopedapassionforcinemaandranhisschool’sFilmClub.HestudiedlawandeconomyattheUniversityofDakar,buthispassionforcinemaremainedsteadfast.HethenwentontostudyfilmtheoryattheUniversityofParisVIIIwhileattendingmorepracticalcoursesattheLouisLumièreSchool.Concurrenttohisfilmstudies,hetookcoursesinethno-psychiatryattheÉcoledeshautesétudesandalsodirectedhisfirstshortfilm,Pérantal,in1974.Thismarkedthefirstlegofthecareerofafilmmakerwhohasbeenshapedbyrealityandthedepicteringofaworldtowhichhethendedicateshiscinematographicknow-how.Trésorsdespoubelles(TreasuresfromTrash),whichhasbeenairedonArte,Canal+andabroadonseveraloccasions,leavesusinawebyshowinghowcraftsmencancreateartusingverysimplematerials.This,ofcourse,leadsusthinkofthe"documentarycraftsman"whoisabletomakegreatfilmsbyusingafewrawimagestakenfromreallife.
SambaFélixNDiayewasbornonthe6thofMarch1945inDakar.Asanadolescenthedevelopedapassionforcinemaandranhisschool’sFilmClub.HestudiedlawandeconomyattheUniversityofDakar,buthispassionforcinemaremainedsteadfast.HethenwentontostudyfilmtheoryattheUniversityofParisVIIIwhileattendingmorepracticalcoursesattheLouisLumièreSchool.Concurrenttohisfilmstudies,hetookcoursesinethno-psychiatryattheÉcoledeshautesétudesandalsodirectedhisfirstshortfilm,Pérantal,in1974.Thismarkedthefirstlegofthecareerofafilmmakerwhohasbeenshapedbyrealityandthedepicteringofaworldtowhichhethendedicateshiscinematographicknow-how.Trésorsdespoubelles(TreasuresfromTrash),whichhasbeenairedonArte,Canal+andabroadonseveraloccasions,leavesusinawebyshowinghowcraftsmencancreateartusingverysimplematerials.This,ofcourse,leadsusthinkofthe"documentarycraftsman"whoisabletomakegreatfilmsbyusingafewrawimagestakenfromreallife.
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